Model Call & Assistant Wanted in Nagoya in May/June

This is only for people in Japan, especially in or near Nagoya.

Part 1: Model call;  Part 2: Assistant needed

Hot new products for summer 2018

Hot new products for summer 2018

Part 1, Model Call

Who:  Women, preferably expats or travelling models visiting Japan. Basic English skills will help.

What:  Summer themed clothing & fashion shoot, including swimwear

When:  TBC (probably 31st May, 6th, 13th, or 20th June), and again in July and/or August.

Where:  Possibly Utsumi Beach (Aichi) https://goo.gl/maps/eTx9hwq7A4F2, or similar place. If the model is based in another city like Tokyo, Osaka, or other, we may meet near there instead.

Transport:  Public transport will be reimbursed (paid back, please keep receipts or photos of tickets)

Benefits:  Usually ¥2,500/hour (depending on model) for four or five hours, transport time not included. Plus receive at least five key photos from the shoot. Model may keep the clothing for social media promotion purposes. More information about social media product placement and brand promotion provided when you contact me.

Collaboration projects, you of course won’t get paid, unless we can make sales. I’m considering 1. An Instagram project (portraits in the city), and 2. making a photo book and calendar. Let me know if you’re interested, or if you have your own idea.

MUST:  Provide information about your clothing sizes as soon as possible, including type of mobile phone you have (especially if you have an iPhone or Samsung). Have own medical insurance.

Generally modelling information:  Here.

Contact:  Please contact me as soon as possible.

Views of Utsumi Beach, Aichi, Japan.

Views of Utsumi Beach, Aichi, Japan.

Part 2, Assistant Wanted

Who:  A bilingual (English / Japanese) speaker needed; some Chinese abilities may also help. Since most models are women, a female assistant is preferred, but a male assistant will be hired if no one else suitable can be found.

What:  Assist with photography shoots.

Benefits:  Pay is usually ¥1,000/hour; usually for three to five hours each job, plus an hour of preparation before. Transport time not included.

When:  For the job above, plus occasionally through the year. May involve travel to other cities.

Transport:  Will be provided or reimbursed.

Description:  To assist the photographer with basic tasks on a photo-shoot, including holding flashes/lights, reflectors, replacing batteries, and other basic tasks. Also to assist the model(s) when required.

Requirements:  Bilingual or have good-enough abilities in English & Japanese. Driver’s license may sometimes help. Some social media skills (especially Twitter and Instagram). Have own medical insurance.

ABlyth Product Banner March 2018

ABlyth Product Banner March 2018

Tree Nation, us, and you!

We’re so, so excited to announce this. We hope you can get as excited as we are. Now, we at ablyth-shop.com we have a tree added to our forest, and we hope that you can join us in becoming carbon neutral. On our scale of economy for now, we will invest €10/month for a monthly commitment. In the future, we hope to offset carbon on a monthly basis at a greater scale, so that as a community we are all contributing. Details of the project so far: https://tree-nation.com/profile/ablyth.

For each tree that is planted, two things happen. One, it converts harmful CO2 into oxygen for us to breathe. Two, it locks carbon in the body of the tree as well, thus removing it from the atmosphere. In fact, there are many other benefits to having trees. These act as a home for animals, cool the ambient temperature (especially important in summer), provide resources to support local and global economies, hold the structure of the soil together to prevent erosion and other major problems; and there are many, many more important functions trees perform.

ABlyth Social Responsibility Series: Make Trees. Products on sale now at ablyth-shop.com

ABlyth Social Responsibility Series: Make Trees. Products on sale now at ablyth-shop.com

What does carbon neutral mean? We need to offset about 9 tonnes of carbon a year, which on average means about two trees per month, per person. Until we build up enough members of our community, we suggest that you also create your own Tree Nation account, do help out directly.


Fall of Nature: Pulp. Available as high quality art prints
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Not many people know this about me, but I trained as a biologist in my undergrad years. I learnt so much about how our planet was on a course of doom, even back in the 1990’s. Protecting our natural world became an important thing for me, especially since it is where every human gets food and water from. Without food, water, and shelter, we have nothing, and will ourselves go like the dinosaur: extinct. There simply is no priority higher than taking care of our natural world. I’ve had some involvement with community ecological organisations, but have always wanted to step up my game. Some of my art projects have tried to focus on the loss of the natural environment, including Nuclear Spring and Fall of Nature. I simply cannot do it alone, so I need partners in this; that is you, me, and Tree Nation.


Fall of Nature: Collision. Available as high quality art prints
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Winners Announced & other big news

We’re so happy about these three announcements, including about our recent giveaway competition.

Firstly, a HUGE thanks to everyone who entered. We really appreciate your interest in us. There will be more competitions in the future, and there are discount coupons for everyone too. We will email you about that soon.

A foreign model posing for tourist theme photos

A foreign model posing for tourist theme photos

Secondly, a HUGE congratulations to Noam W of Tel Aviv, and Sarah W of New Berlin who both won the $150 worth of ABlyth items. We’ve already sent you emails, please check your inbox and spam boxes.

Finally, we ask a big favour. Now the winners have been drawn, please don’t abandon us. There are two big reasons why. Firstly, we want to host more giveaway competitions like this again, but we need your support to make it possible. Members get free shipping and other discounts for sharing photos of ABlyth products on social media.

Secondly, and perhaps most importantly, we are partnering with an environmental organisation, because we want to contribute to having a sustainable future for our children, and children’s children; and we’ll need your help. We’ll be announcing more on this in the coming weeks.

Watch this space.

UPDATE 2nd May: We’ve contacted the winners directly. Regarding contacting all the other entrants, we’ve broke our email system, so we’re working on that.

Going Mirrorless – From Sony A99 to Canon M6

Yep, that’s right. I’m transitioning to Canon, and mirrorless. What does that mean? I’m moving from the Minolta/Sony system that I’d been with since the 1990’s, to Canon; and I’m starting with the Canon EOS M6, the Canon 15-45mm, and an adapter for Minolta/Sony Alpha mount to EOS M-mount. Here’s the start of that story.

The Canon EOS M6 mirrorless camera

The Canon EOS M6 mirrorless camera

Why?

I started with Minolta (the MD-mount system) in the 1990’s. My first real camera was actually a Seagull, but the camera and mount system was a licensed remake of the Minolta MD system. Then, when I found myself in Korea in 2000 and 2001, I found that I had missed some great street photos because I was simply too slow setting the camera, prompting me to switch to auto-focus, and I stuck with Minolta.

Portraits of a young Japanese lady modelling with an antique film camera.

Portraits of a young Japanese lady modelling with an antique film camera.

In 2005 or 2006, I decided it was time to switch to digital, and by that time Konica and Minolta had merged, and so I got the Konica-Minolta Alpha Sweet (aka Dynax/Maxxum 5D in other parts of the world). Then in 2006 KM went into partnership with Sony. Sony had collaborated successfully with Carl Zeiss for video lenses, Ericsson for phones, and such. Perhaps they expected to develop a Konica-Minolta Sony camera. It was murky what actually ensued, but it looks like KM dumped their camera division on Sony and ran. Minolta, in inventing the worlds first autofocus system, had infringed the copyrights and patents of Texas Instruments, and spent most of the 1990’s in courts. It seems they wanted to offload that liability and save the company at the cost of their camera making pride. From the 1930’s to 1990’s, Minolta lenses were considered second only to Leica (and some instances better). Minolta had a fantastic reputation. Up until the late 1980’s, the top brands were clearly Nikon, Minolta, Leica, and Hasselblad; not Canon. The advent of the digital era and Minolta’s legal problems changed all that.

Sony A77 left, Minolta A7 right. My cameras with ribbons that take evil spirits away given during the Konomiya Naked Man Festival.

Sony A77 left, Minolta A7 right. My cameras with ribbons that take evil spirits away given during the Konomiya Naked Man Festival.

The Minolta/Sony to Canon M-mount adapter

First of all, all the glass (lenses) I’ve invested in over the years are not wasted. I can still use them with the K&F Concept adapter. At the moment, the Canon M-mount system is far from mature, and so there is a distinct lack of quality glass at the moment. Sony has taken nearly ten years to finally release some zoom lenses with f2.8 capability, and I hope Canon won’t take so long to get to this stage of maturity. In the mean time, what can I do for both quality glass and wide open apertures? I have some wonderful glass from Minolta, the original and first batch of auto-focus lenses in the world of any brand, including the 50mm f1.4 and 100mm f2 macro; both still are stunning even by today’s standards. I also have a Sony 70-300mm zoom lens, and a Tamron 28-75mm f2.8 lens. Most exciting of all, I have a Lens Baby Composer 50mm. These will work, but only in the manual mode. The K&F Concept adapter is not electronic, it’s mechanical. So you will only have manual focus (so only for lenses with a manual focus ring) and it has an aperture ring so you can manually adjust the aperture in the lens. However, in the Canon M6, you need to set the camera to allow for the shutter to work in the “No lens attached” mode. Instructions are provided here: http://support-hk.canon-asia.com/contents/HK/EN/8202418700.html. Once, you’ve got this set, then you can shoot without a problem.

The Canon EOS M6 mirrorless camera with K&F Concept adapter, and Minolta 50mm f1.4 lens.

The Canon EOS M6 mirrorless camera with K&F Concept adapter, and Minolta 50mm f1.4 lens.

Of course, you can also get a Canon native adapter to fit L-mount to M-mount lenses. These will have electronic communication, so you can have auto-focus and electronically controlled aperture. Eventually, I will get some high quality L lenses, mostly for the auto-focus and wide open apertures, and so I can use them on the 5D or 6D that I plan to get one day.

A photo taken with the Canon EOS M6, K&F Concept adapter, and Minolta 50mm f1.4

A photo taken with the Canon EOS M6, K&F Concept adapter, and Minolta 50mm f1.4

This photo above shows that a shallow depth of field is possible on the M-mount, despite there being no native lenses capable of f1.4. Note, the crop factor of the APS-C sized sensor makes this 50mm lens and equivalent of about 70mm focal length, adding intensity to the depth of field.

The following photo is of the Sony 70-300mm G lens, with the adapter on the Canon M6. As you can see, the size differential is so big that the camera does not even touch the table! The size difference is simply hilarious.

The Canon EOS M6 mirrorless camera looks tiny compared to the Sony 70-300mm G lens mounted via an adapter.

The Canon EOS M6 mirrorless camera looks tiny compared to the Sony 70-300mm G lens mounted via an adapter.

Currently, there are no native telephoto lenses for the m-mount that go beyond 200mm in length. Additionally, there are currently no high quality lenses for this mount, except for perhaps the Canon 22mm f2. It is expected that two things will happen later this year or next; Canon will release a full-frame m-mount mirror less camera, and high quality glass (hopefully zoom lenses with at least f2.8 capability). The following photo was taken with the Canon M6, K&F Concept adapter, and Sony 70-300mm G lens. The main issue with this set up is that the adapter is mechanical only, which means manual focus, and manual aperture control. I found myself constantly fiddling with the focus ring. Also film cameras had a split-plane system for focus confirmation, digital cameras have a green-square confirmation, in the “no lens attached” mode the Canon M6 shows nothing; so all focusing is a combination of guessing and hoping.

A photo taken with the Canon EOS M6 with K&F Concept adapter, and Sony 70-300mm G lens

A photo taken with the Canon EOS M6 with K&F Concept adapter, and Sony 70-300mm G lens

The following photo is the first one from the Canon M6 with its own native lens, the Canon 15-45mm f3.5-6.3. Soon after the photo was taken, it was transferred to iPad via the camera’s own Bluetooth connection, where the photo was lightly processed and uploaded to Instagram; mere minutes after that train had passed.

At a Kintetsu train station in rural Japan. Photo taken with Canon EOS M6, with Canon 15-45mm lens.

At a Kintetsu train station in rural Japan. Photo taken with Canon EOS M6, with Canon 15-45mm lens.

The Canon EOS M6 is a brilliant little camera. If I had have known how great it was, I would have got it a long time ago. The images are not perfect, but are really, really good. The images are bright, clear, with great colour reproduction, and good-enough sharpness. It is very small and very light weight, so as a travel camera, it’s a no-brainer.

The big questions I have is, if Canon does bring out a full-frame m-mount camera, what does that mean for the Canon m-mount lenses that I have? Are they for APS-C format m-mount, or will they work fine on both full-frame and APS-C? Will the full-frame m-mount camera be in my price range, and worth the upgrade? Will there be a 24-70mm f2.8 lens for m-mount? Should I still consider getting the Canon 5D MkIII or MIV, or 6D, or just commit to m-mount exclusively?

In other news, BIG news. In private communication with Lens Baby, they suggested the Lens Baby 35mm Burnside may be available for m-mount for special order. However, I’d still like to wait and see what happens with the full-frame m-mount issue, and if I would still prefer to get an L-mount camera.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

Sample photos taken with the Canon EOS M6 mirrorless camera with m-mount Canon 15-45mm f3.5-6.3 lens.

More photos, videos, and stories to come. Subscribe, bookmark, whatever so you don’t miss a thing. Also check follow us on Instagram and Twitter.

Not a great view of Japan’s icon

My first time at Mt Fuji, and it seems we’re a week too early for the cherry blossoms, also it’s a cloudy hazy day, so people waited at the pagoda observation platform waiting for a better view to emerge. BUT! The clouds cleared just as we got into the hotel at the end of the day. So, I got a beautiful view that includes a power pole 🤦‍♂️

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