Cultural Events

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The first photos from Nagoya’s Naked Man Festival. More will be available at my agent’s website and my own portfolio. This event was held as snow from the previous two days was still fresh and melting, so of course the participants need to be rolling drunk to do this, which means some fall over and scrap themselves on the ground. Also, a late afternoon cold wind whipped up so the ambulance crews arrived, perhaps to treat those suffering hypothermia.The Naked Man Festival (hadaka matsuri) is an annual event that began in the year 767ad, in the Nara Period. The event is held to removed bad luck and bestow good luck on the people. In the past, this event has attracted 180,000 spectators and 12,000 (naked) male participants.

The event features a number of motifs, including teams based on township, giving gifts to the Kounomiya shrine, being drunk on sake, climbing bamboo poles, giving strips of cloth to spectators (mainly to women), and more. The gifts that are given to the shrine include a tuna, a barrel of sake, banners and long bamboo poles. For the first time visitor the bamboo poles seem to be the most important part. The teams carry all of these things, and stop along the way to throw their bamboo pole up, erecting it, and someone will climb it. It seems that each town’s bamboo poles are different. I guess that the more support from the town equates to a bigger and better bamboo pole. These poles are wrapped in cloth and lashed with rice-hemp rope. The event is held according the the lunar calendar at about the second weekend after the Lunar New Year. More information can be found at the English Wikipedia site.

The annual Naked Man Festival is held just after the Lunar New Year.

The Naked Man Festival (hadaka matsuri) is an annual event that began in the year 767ad, in the Nara Period. The event is held to removed bad luck and bestow good luck on the people. In the past, this event has attracted 180,000 spectators and 12,000 (naked) male participants.

The annual Naked Man Festival is held just after the Lunar New Year.

The Naked Man Festival (hadaka matsuri) is an annual event that began in the year 767ad, in the Nara Period. The event is held to removed bad luck and bestow good luck on the people. In the past, this event has attracted 180,000 spectators and 12,000 (naked) male participants.

 

More information from a blog post for the 2009 event:

The Naked Man Festival (Hadaka Matsuri) is an annual even held at Kounomiya, just outside of Nagoya City in central Japan. It’s held in the depths of winter and is a weekend-long event. The part that the public sees (and is shown in my portfolios) is held in the afternoon. The event date varies from year to year, according to the Chinese lunar calendar, but is held during the lunar New Year.

It began over 1,200 years ago, in the year 767, when Nara was the capital of Japan. At that time, there were plagues affecting the Japanese people, so Emperor Shotoku ordered special prayers to be said nation wide. The governor of Owari Province (now Aichi Prefecture) asked the shrine at Kounomiya to do something about this, and to remove the bad luck. So, the Naked Man Festival, held in the coldest time in winter was formulated.

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I’ve set up my display for the Nagoya Foreign Artists Exhibition today. The exhibition opens to the general public on Tuesday, and runs through to Sunday, 6th November. It is my first time in an exhibition and I felt a little nervous setting up. I had problems with my prints coming back not being the size I ordered, and so they were smaller than the frames I had, so I had to get new frames. Setting the pictures in the frames at the venue felt a lot like getting dressed in public, it felt weird.

I think I have a large library of images to choose from, and mostly digital. However, I guessed (correctly) that most of the photography exhibits would have been shot in digital, so I assumed that going olde school would set me apart a little. I met some great people with some great photos and had some great conversations. One interesting photographer has a medium format Bronica that he hasn’t used in years, and another has Minolta film cameras, too. They expressed some interest in dusting them off. It’d be a great feeling for me if I’ve inspired them to play with film again (at least a little).

So, please come and have a look at mine and the other wonderful works on display at the Nagoya International Centre, or check out my online gallery at PhotoShelter.

Andrew Blyth's works on display at the 26th annual Nagoya Foreign Artists Exhibition (FAE26).

Andrew Blyth's works on display at the 26th annual Nagoya Foreign Artists Exhibition (FAE26).

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Here’s one for the Mac fans. This is a photo of the Nagoya Apple Store in the trendy shopping suburb Sakae. This was taken in the early evening of Saturday the 15th October.

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I’ll be entering some of the Poem of a Cacophonous City images in this year’s Foreign Artists Exhibition (FAE) to be held at the Nagoya International Centre, 1st to 6th November. Please come and see what I think embodies the poem. The images are available for purchase as prints and products (including mugs, mouse pads, and more) see the gallery here.

Information about the Poem of a Cacophonous City exhibition

Information about the Poem of a Cacophonous City exhibition

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The annual Nagoya Dance Festival, locally known as the Nagoya Domatsuri, was held again this weekend. For details and history of the event, see this previous blog post about the Domatsuri. Whilst photos are still being processed you can browse last years photos, below.

Nagoya Domatsuri – Images by Andrew Blyth

 

Also, to whet your appetite, here is a video…

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The photos from this year’s Stone-bringing Festival (Ishidori) are available at Asia Photo Connection. The Stone-bringing Festival is an event that is probably over three hundred years old. I’ve written about this before (Tag: Ishidori), and there is also some good information about Ishidori on Wikipedia. I’m making this information available for free in the hope that you’d find it useful and would buy my photos. Which reminds me, buy my photos.

Clicking on the picture below will take you to a gallery of my Ishidori photos on Asia Photo Connection, and my Ishidori PhotoShelter gallery from previous years.

The lower portion of a portable-shrine and it's town-members at the annual Stone-bringing Festival.

The annual Stone-bringing Festival (Ishidori Matsuri) at Kuwana City is the loudest festival in Japan.

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For an organisation that is trying desperately to win back credibility and fans, they aren’t very good at delivering on the promise of English language ticket purchasing facilities. The official sumo website for ticket purchasing information would have you believe that it is possible to purchase tickets through English language facilities, but for regular seats, that ain’t true. I think I can do it in Japanese, but I don’t want to tick the wrong boxes and have accidentally ordered express delivery of a premium package with backstage / changing room passes. I’ll wait for the kind assistance of a Japanese person.

Photos will be available on Asia Photo Connection. Special pre-ordering discounts can be made available (please don’t request changing-room photos).

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The Tado Horse Festival was held earlier this month. I’m a busy person and so it has taken me a bit of time to get back to organising these images. Please see the 4th May post for information about this cultural event.


Tado Horse Festival – Images by Andrew Blyth

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Another annual event was run today. Essentially, they run a drunken youth rider, on a drunken horse, up a drunken mountain (and over a mound). If the horse and rider make it over (preferably together), then that heralds a good rice harvest this season.

In previous years, animal rights groups and the Mie Prefecture Board of Education (concerning especially youth affairs) have complained about this event. Horses are forced to consume alcohol, and the youth who ride them are about 17 years of age, and are drunk themselves. Horses are forced to run over a mound at the top of a steep slope, and there is a risk the horses could get hurt. Often the horses are frightened by the 120,000 spectators cheering the horse and rider on. At the mound that rider’s team try to help or force the horse over by pushing and pulling on the horse. Whilst there is risk to the horse, there are perhaps more risk to the people who have been carried or rushed to hospital in previous years. Furthermore, the animal rights group (I haven’t been able to attain their exact name yet) and the Education Board seem not to be so concerned for long standing cultural rights and traditions.

In any case, it seemed that this year the horse was not frothing at the mouth from too much sake, and the riders didn’t seem drunk at all. The teams standing either side of the track didn’t seem very drunk either. It appears that the fizz had been drained this year; perhaps creating a threat to the sense of community surrounding this event? Time will tell.

News: This year the mound at the top of the slope didn’t appear to have been broken very well, and so it was, as one person put it: ‘ambitious’. On this first day, most horses failed, but only one horse made it over, so there should be a good harvest this year. The horse that made it over was called Ganbare Tohoku (roughly translated as ‘keep trying / keep striving Tohoku’, a reference and call of encouragement to the people of the earthquake, tsunami, and nuclear stricken region).

For photos taken in previous years, see my Asia Photo Connection and PhotoShelter portfolios. This year I used black and white film (as I’m getting tired of digital), so new photos will be added to this post and my portfolios later.


Tado Horse Festival – Images by Andrew Blyth

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Every year, the cherry blossom viewing parties, known in Japanese as ‘hanami’ (lit flower-seeing) are popular. Groups of friends, company staff-groups, university clubs, social clubs, and others gather under cherry trees to bar-be-que and drink beer and sake. It’s a nice time as the weather is more clement and the air lacks chill, and parks that are loaded with cherry trees are a really nice break from the bleak colours of winter.

However, winter of 2011 in Japan hasn’t ended on the best of notes. Cherry blossom viewing and associated revelry is a national obsession, but anyone having so much fun this year would surely feel a sense of guilt. People living and suffering in temporary shelters (mainly school gyms) have lost everything, including their hanami cliques, and their favourite groves of cherry trees. Furthermore, I’m sure no-one really wants to be seen having fun right now. So, the cherry blossom parties are out, and I’ve found it hard to find any one doing more than strolling past and smiling at the gentle pink hues.

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