Homepage Picture

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Update:

(25th March) Following the updates (see below), there are some inevitable bugs that need some sorting out. Most of these should be sorted in the next week or so.

Original notice:

I received this e-mail from the host of my PhotoShelter portfolio:

Dear PhotoShelter Member,

This is a final reminder to help you prepare for the full system downtime and major feature upgrades coming on March 24. We’re all really excited to bring you the first phase of a brand new PhotoShelter, and it kicks off this weekend. …

Planned Downtime:
The following is the official time window for the planned system downtime:

        Date: Saturday, 24 March 2012
        Summary: PhotoShelter System Upgrade – Full Site Downtime

        Duration: 8 hours

        START: 12:01 AM EDT 24-MAR-2012
        END: 08:00 AM EDT 24-MAR-2012
        (US Eastern Daylight Time; UTC-04:00)

 

Announcement of website maintenance

Announcement of website maintenance

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I’ll be entering some of the Poem of a Cacophonous City images in this year’s Foreign Artists Exhibition (FAE) to be held at the Nagoya International Centre, 1st to 6th November. Please come and see what I think embodies the poem. The images are available for purchase as prints and products (including mugs, mouse pads, and more) see the gallery here.

Information about the Poem of a Cacophonous City exhibition

Information about the Poem of a Cacophonous City exhibition

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I’ve added some resources I consider to important to the homepage. These have been essential for me on Friday and over these first few days. I hope they are useful for you too.

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Just a quick message. For a while I’m trying out using a slideshow on the homepage instead of a static picture. The slideshow allows you to get a preview of some key updates to my PhotoShelter account.

Slideshows look great, but don’t pop up instantly. Slideshows are more interesting, but Apple doesn’t like them on their toys. So I’m seeing how it goes. See it at http://japanesephotos.asia.

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The image that was used on the homepage from 27th Jan 2010

A performance by Tado Gagaku

I had the opportunity to see Tado Gagaku perform twice. The first time was able to get some model releases signed, and the second time I was invited. They are a nice group of people, and very dedicated to doing a great performance. Also see previous posts about Tado Gagaku.

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The current homepage picture was taken in the Kuwana City Ishidori. “Ishidori” literally means ‘stone-bringing’ festival. It’s an all weekend Shinto religious festival held annually in Kuwana City in mid summer at night.A man marks his town's portable shrine cordon in a crowd of onlo

It’s history is a little uncertain, but probably dates back about two or three hundred years. Each town or ward in Kuwana City has a portable shrine. Each portable shrine has a large drum and Japanese style cymbals. They beat out a traditional rhythm non-stop, for the entire duration of the procession, lasting for about six hours on Saturday and Sunday evenings. They follow a set route around the town. This route can vary from year to year, as it is said that it is lucky for the businesses to have the festival pass by their shop fronts. So, in consideration of these businesses, the route is varied each year. Along the route there are intersections, where there can be four portable shrines that meet. In concert with each other they would play the traditional drum and cymbal rhythm with extra energy and zest. This can last for up to 10 minutes, before they quieten down slightly, and move on, allowing the next shrines behind to have their moot. The Kuwana City festival is said to be the loudest in Japan.

Eventually, at somepoint in the night, they portable shrines make their way to a local Shinto shrine and hand over a white stone. These stones were previously gathered from a nearby river perhaps some weeks before hand. It is uncertain as to why the Kuwana City festival is unique in that they bring white stones to the shrine, instead of rice-balls, which is the norm in other places in Japan. It is thought by a local high school teacher and Ishidori enthusiast, that at one time rice might have been quite scarce, and the local people might not have been able to bring their annual rice-ball offerings to the shrine. So, it is possible that white stones were accepted in place of rice-balls.

Once these portable shrines make their way to the front of the Shinto shrine, they perform the drum and cymbal rhythm in earnest for the Shinto priests. Once the priests are satisfied, they give their blessings to that town or ward which is represented by the portable shrine.

I have many photos of this event on both film and some in digital. It is a night festival, held in the humidity of summer. Consequently, the quality of some images is a little compromised. However, other images can be made available upon request under Rights Managed licensing.

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