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The first photos from Nagoya’s Naked Man Festival. More will be available at my agent’s website and my own portfolio. This event was held as snow from the previous two days was still fresh and melting, so of course the participants need to be rolling drunk to do this, which means some fall over and scrap themselves on the ground. Also, a late afternoon cold wind whipped up so the ambulance crews arrived, perhaps to treat those suffering hypothermia.The Naked Man Festival (hadaka matsuri) is an annual event that began in the year 767ad, in the Nara Period. The event is held to removed bad luck and bestow good luck on the people. In the past, this event has attracted 180,000 spectators and 12,000 (naked) male participants.

The event features a number of motifs, including teams based on township, giving gifts to the Kounomiya shrine, being drunk on sake, climbing bamboo poles, giving strips of cloth to spectators (mainly to women), and more. The gifts that are given to the shrine include a tuna, a barrel of sake, banners and long bamboo poles. For the first time visitor the bamboo poles seem to be the most important part. The teams carry all of these things, and stop along the way to throw their bamboo pole up, erecting it, and someone will climb it. It seems that each town’s bamboo poles are different. I guess that the more support from the town equates to a bigger and better bamboo pole. These poles are wrapped in cloth and lashed with rice-hemp rope. The event is held according the the lunar calendar at about the second weekend after the Lunar New Year. More information can be found at the English Wikipedia site.

The annual Naked Man Festival is held just after the Lunar New Year.

The Naked Man Festival (hadaka matsuri) is an annual event that began in the year 767ad, in the Nara Period. The event is held to removed bad luck and bestow good luck on the people. In the past, this event has attracted 180,000 spectators and 12,000 (naked) male participants.

The annual Naked Man Festival is held just after the Lunar New Year.

The Naked Man Festival (hadaka matsuri) is an annual event that began in the year 767ad, in the Nara Period. The event is held to removed bad luck and bestow good luck on the people. In the past, this event has attracted 180,000 spectators and 12,000 (naked) male participants.

 

More information from a blog post for the 2009 event:

The Naked Man Festival (Hadaka Matsuri) is an annual even held at Kounomiya, just outside of Nagoya City in central Japan. It’s held in the depths of winter and is a weekend-long event. The part that the public sees (and is shown in my portfolios) is held in the afternoon. The event date varies from year to year, according to the Chinese lunar calendar, but is held during the lunar New Year.

It began over 1,200 years ago, in the year 767, when Nara was the capital of Japan. At that time, there were plagues affecting the Japanese people, so Emperor Shotoku ordered special prayers to be said nation wide. The governor of Owari Province (now Aichi Prefecture) asked the shrine at Kounomiya to do something about this, and to remove the bad luck. So, the Naked Man Festival, held in the coldest time in winter was formulated.

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It’s rare that Nagoya gets snow, and this winter is one of those ‘once in seven year’ events. These photos will soon be available on Asia Photo Connection.

Company employees carefully crossing the street in icy conditions on a snowy day.

Company employees carefully crossing the street in icy conditions on a snowy day.

A construction worker clearing snow off a pedestrian path in front of Nagoya Station.

A construction worker clearing snow off a pedestrian path in front of Nagoya Station.

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I did what I’m calling a “portrait walk”, where I met a friend who agreed to be a model, and we walked from point A to point B in the centre of Nagoya. As you can see she’s looking great, very fashionable… but cold, and hence the puffy jacket (and I froze, too). It was a great chance for me to get a handful of photos I’d been meaning to get, including someone shopping; using a drink vending machine; a mobile phone used in the open; and expectantly, she is great with a spinning top!

It was interesting, she asked ‘why a vending machine?’. A natural enough question for a Japanese person; vending machines are everywhere, and they are so ubiquitous that they are nothing special. I pointed out that vending machines in Japan are as much of a symbol of Japan as Big Ben is to London, or the Eiffel Tower is to Paris. A point you might miss that is quite interesting. In winter, they change the settings of some some part of the machine to heat a selection of drinks. All the drinks with red price labels are hot, whilst all the ones that are blue are chilled. Most drinks price in the range of 110yen to 150yen.

The vending machine we shot could take money in four forms being of course coins, notes, Manaca card, and Waon card. Manaca is an embedded ic-chip card that just needs to touch a sensor surface for credit to be transferred. The Manaca is used mainly as a regular commuter access card, but can also be used in many convenience stores and vending machines in Nagoya. I don’t know if it’s usable in other places like Osaka or Tokyo, but I think they have their own systems instead. Finally, I have little idea of what the Waon card is. I think the Waon card might be connected to the Aeon shopping mall conglomerate.

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This is an annual event, and I was able to attend today. Here is the first of many photos that will be available on my Asia Photo Connection and PhotoShelter portfolios.

Suzuki’s new concept car that is reportedly able to achieve a stunning 32km/l, albeit with a 800cc (0.8lt) turbo charged engine. It looks great, but it looks like an angry cartoon character… an Angry ‘Zuki?

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I’ve set up my display for the Nagoya Foreign Artists Exhibition today. The exhibition opens to the general public on Tuesday, and runs through to Sunday, 6th November. It is my first time in an exhibition and I felt a little nervous setting up. I had problems with my prints coming back not being the size I ordered, and so they were smaller than the frames I had, so I had to get new frames. Setting the pictures in the frames at the venue felt a lot like getting dressed in public, it felt weird.

I think I have a large library of images to choose from, and mostly digital. However, I guessed (correctly) that most of the photography exhibits would have been shot in digital, so I assumed that going olde school would set me apart a little. I met some great people with some great photos and had some great conversations. One interesting photographer has a medium format Bronica that he hasn’t used in years, and another has Minolta film cameras, too. They expressed some interest in dusting them off. It’d be a great feeling for me if I’ve inspired them to play with film again (at least a little).

So, please come and have a look at mine and the other wonderful works on display at the Nagoya International Centre, or check out my online gallery at PhotoShelter.

Andrew Blyth's works on display at the 26th annual Nagoya Foreign Artists Exhibition (FAE26).

Andrew Blyth's works on display at the 26th annual Nagoya Foreign Artists Exhibition (FAE26).

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Here’s one for the Mac fans. This is a photo of the Nagoya Apple Store in the trendy shopping suburb Sakae. This was taken in the early evening of Saturday the 15th October.

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I’ll be entering some of the Poem of a Cacophonous City images in this year’s Foreign Artists Exhibition (FAE) to be held at the Nagoya International Centre, 1st to 6th November. Please come and see what I think embodies the poem. The images are available for purchase as prints and products (including mugs, mouse pads, and more) see the gallery here.

Information about the Poem of a Cacophonous City exhibition

Information about the Poem of a Cacophonous City exhibition

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Spent a bit of time in the city looking for interesting things to contrast, and this is what I’ve found. Basically, a theme became apparent, that the city is noisy, busy, and any adjective to use is somehow an active one. These images are also available as prints, mouse pads, mugs, and so forth.


Poem of a Cacophonous City – Images by Andrew Blyth

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Typhoon Roke has finally made it here. It will pass directly over Nagoya and then Tokyo. The wind doesn’t seem as strong as the previous typhoon, Talas. Rain associated with Roke has caused flooding in Nagoya where authorities issued evacuation orders for 1 million of the 2 million residents of Nagoya. It sounds desperate, but it is not. Most of the residents Nagoya live in multi-story condominium buildings or multi-story apartments. Only householders near the Shonai River are indeed flooded. Affected areas are mainly Moriyama and Tempaku. NHK, the national broadcaster, showed pictures of city residents taking refuge in emergency shelters last night, ahead of additional or continued flooding, and ahead of the approach of the typhoon.

Yesterday many workers and students attending their first days of the new semester were stranded at train stations as underground services were flooded, or high risks due to the winds. The stranding of commuters was the probable cause of mobile phone services working only intermittently. Despite learning that stranded passengers in Tokyo was a huge problem after the March-eleven quake, Nagoya seemed unprepared.

Below are photos from Typhoon Talas. I’m not leaving my area until I’m sure that my home and neighbourhood is safe, then I might venture out. My area has a warning of high risk of storm surge causing inundation. My pictures, below, show the storm surge and tsunami protection, however, not all parts of the dyke is as strong and reinforced as those shown.

 
Disasters – Images by Andrew Blyth

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Typhoon Roke is still coming, and at the time of writing, the storm zone is still not over Nagoya (my city). Strangely, we’ve had a large amount of rain, but not a massive amount, but parts of Nagoya have been flooded. I would never have thought this, as the rain was not intense enough for long enough, consequently I never thought to even bother go around the town to take a look. 79,000 people in Nagoya have been told to evacuate, and they are apart of the 1.2 million having to move, too. Currently there is no wind, and the storm zone isn’t over Nagoya, yet. The rain is merely associated with the typhoon.

It appears that mobile phone services are operating in some areas intermittently, perhaps as many stranded commuters are calling home saying that their train services are closed or the underground stations flooded.

For the latest information see the Japan Weather Agency website. I’m afraid I don’t know of any other informational services in languages other than Japanese. Currently, it seems the worst of the storm should have past Nagoya by 6pm Wednesday (local time), but Tokyo would still be affected. Companies often stipulate that if there is a Gale Warming (red) then workers are not required to attend. Most companies are not concerned about the other warnings (including flood, rain, and risks of landslides).

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